Originally appeared in Internationale Situationniste No.7 (April 1962). Excerpted translation by Ken Knabb. Taken from Situationist International Anthology, Bureau Of Public Secrets, 1981
The Fifth SI Conference in Göteborg

The 5th Conference of the Situationist International was held in Göteborg, Sweden, 28-30 August 1961, eleven months after the London Conference. The situationists of nine countries were represented by Ansgar-Elde, Debord, J. de Jong, Kotányi, D. Kunzelmann, S. Larsson, J.V. Martin, Nash, Prem, G. Stadler, Hardy Strid, H. Sturm, R. Vaneigem, Zimmer. [...]

Next the Conference hears an orientation report by Vaneigem, who says notably: "[...] The point is not to elaborate the spectacle of refusal, but to refuse the spectacle. In order for their elaboration to be artistic in the new and authentic sense defined by the SI, the elements of the destruction of the spectacle must precisely cease to be works of art. There is no such thing as situationism, or a situationist work of art, or a spectacular situationist. Once and for all. [...] Our position is that of combatants between two worlds - one that we don't acknowledge, the other that does not yet exist. [...]"

[...] Kunzelmann expresses a strong skepticism as to the powers the SI can bring together in order to act on the level envisaged by Vaneigem. Kotányi responds to Nash and Kunzelmann: "Since the beginning of the movement there has been a problem as to what to call artistic works by members of the SI. It was understood that none of them was a situationist production, but what to call them? I propose a very simple rule: to call them 'antisituationist.' We are against the dominant conditions of artistic inauthenticity. I don't mean that anyone should stop painting, writing, etc. I don't mean that that has no value. I don't mean that we could continue to exist without doing that. But at the same time we know that such works will be coopted by the society and used against us. Our impact lies in the elaboration of certain truths which have an explosive power whenever people are ready to struggle for them. At the present stage the movement is only in its infancy regarding the elaboration of these essential points. [...]

The responses to Kotányi's proposal are all favorable. It is noted that would-be avant-garde artists are beginning to appear in various countries who have no connection with the SI but who refer to themselves as adherents of "situationism" or describe their works as being more or less situationist. This tendency is obviously going to increase and it would be hopeless for the SI to try and prevent it. While various confused artists nostalgic for a positive art call themselves situationist, antisituationist art will be the mark of the best artists, those of the SI, since genuinely situationist conditions have as yet not at all been created. Admitting this is the mark of a situationist.

With one exception, the Conference unanimously decides to adopt this rule of antisituationist art, binding on all members of the SI. Only Nash objects, his spite and indignation having become sharper and sharper throughout the whole debate, to the point of uncontrolled rage. [...]

Prem resumes in more detail the objections of his friends to Kotányi's perspectives. He agrees with calling our art antisituationist; and also with organizing a situationist base. But he does not think the SI's tactics are good. There is talk of people's dissatisfaction and revolt, but in his view, as his tendency already expressed it at London, "Most people are still primarily interested in comfort and conveniences." He believes that the SI systematically neglects its real chances in culture. It rejects favorable occasions to intervene in existing cultural politics, whereas, in his view, the SI has no power but its power in culture - a power which could be very great and which is visibly within our reach. The SI majority sabotages the chances for effective action on the terrain where it is possible. It castigates artists who would be able to succeed in doing something; it throws them out the moment they get the means to do things. [...]

Other German situationists strongly oppose Prem, some of them accusing him of having expressed positions in their name that they do not share (but it seems, rather, that Prem simply had the frankness to clearly express the line that dominates in the German section). Finally the Germans come around to agreeing that none of them conceives of theory as separate from its practical results. With this the third session is adjourned in the middle of the night, not without violent agitation and uproar. (From one side there are shouts of "Your theory is going to fly right back in your faces!" and from the other, "Cultural pimps!"). [...]

The German situationists who publish the journal Spur [...] stress the urgency, already made evident by the Conference, for them to unify their positions and projects with the rest of the SI. [...] On their request, the Conference adds Attila Kotányi and J. de Jong to the editorial committee of Spur in order to verify this process of unification. (But in January this decision is flouted by their putting out, without Kotányi and de Jong's knowledge, an issue #7 marking a distinct regression from the preceding ones - which leads to the exclusion of those responsible.) [...]

It is voted to hold the 6th Conference at Anvers, after the rejection of the Scandinavian proposal to hold it secretly in Warsaw. The Conference does decide, however, to send a delegation of three situationists to Poland to develop our contacts there. [...]